A few are fine for younger children, see descriptions. Many of the PBS Masterpiece Classic television mini-series on this list are adapted from literature and some may be suitable for older children. (Again, use “Check AVAILABILITY” to see if they are currently streaming.) For a list of period dramas that have aired on Masterpiece, season by season, see THIS PAGE. Then, we list some PBS Masterpiece period dramas that have previously been available that may pop up again. To do so, click on “Check AVAILABILITY” in the description area. Look for our “Add to your WATCHLIST” links.īelow these, there are more PBS Masterpiece period dramas that are streaming on Amazon, but double-check to see if they are currently available with your Prime Video membership or Add-On Channels. The Masterpiece Classic period drama recommendations below with BLUE TVs (as well as titles that follow “You may also like…”) in the first section of this article are included with a Prime Video membership or are free with ads. This is a US-based list, though you can also follow our links if you are in the UK or Canada, to check availability in your country. With your Prime Video subscription, you can watch these terrific period series time and time again, whenever you want. To help keep this site running: Willow and Thatch may receive a commission when you click on any of the links on our site and make a purchase after doing so. Even though Elizabeth McGovern is a star, the movie needed more than her.Home » New to Streaming » Masterpiece Classics on Prime Video 2022 Masterpiece Classics on Prime Video 2022Ĭan you believe that PBS Masterpiece has brought quality period costume dramas to public television since 1971? And it is pretty wonderful that there are currently so many of our favorite Masterpiece Classic period mini-series streaming on Amazon Prime Video. I watch you for your drama, heartache and all-around amazing quality content, but I expected more from The Chaperone. PBS, I love you, but don’t settle for anything below your highest potential. I wish there were more substance to the movie - especially since it’s based on a true story and there’s no way the conflict could have been that clean in real life. Despite everything that happens in the movie, everyone somehow ends up friends again. The 20-year flash forward at the end is sweet but wraps up the loose ends a little too neatly. But, like the other potential plot lines, it fizzles out too. There’s one twist in the movie that’s pretty unexpected. While the 1920s aspect was fun, it needed more glitter, glam and scandal to be enough. The movie is slow and doesn’t have a real climax. You’d expect some sort of scandal within that plotline, yet nothing comes of that either. Elsewhere, Louise and her male (married!) dance teacher flirt and seem to have some sort of connection. But nothing really comes of it - there’s no conflict, nothing juicy. In fact, lack of twist seems to be a recurring theme throughout the film.įor instance, Norma is adopted, and the movie spends a lot of time on her search for her biological family in New York. While Norma and Louise’s relationship is sweet at times, the cautious-adult-and-reckless-kid power struggle is a little overdone, and The Chaperone doesn’t exactly put a unique twist on the theme. Norma slaps some reality back in her and tells her to “just get on a train and go!” The film flashes 20 years forward at the end, and Louise is washed up, back in Kansas and doesn’t want to perform anymore. But by the film’s end, Norma is more open and supportive. At first, the chaperone is standoffish and wary of Louise’s crazy and reckless spirit. Seeing Norma’s character development throughout the film is enjoyable. The dance scenes in particular are some of my favorite parts, with Louise twirling and dancing around. The movie’s Jane Austen-esque ambiance is beautiful, with its pastel dresses and light piano music.
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